This recording brings together a young cast in a performance bristling with energy. The sound is overwhelming in its impact. The secret of the overwhelming success of Carl Orff’s Carmina Burana lies in its skillful and apparently simple mixture of archaic rhythms and sounds (derived from the composer’s convictions about what ancient music must have sounded like) with the sort of music that was actually performed at medieval mystery plays.
Format : Vinyl Record
1 Lp
| 1 | Carmina Burana: I. O Fortuna | 02:48 |
| 2 | Carmina Burana: II. Fortune plango vulnera | 02:50 |
| 3 | Carmina Burana: III. Veris leta facies | 04:17 |
| 4 | Carmina Burana: IV. Omnia sol temperat | 02:13 |
| 5 | Carmina Burana: V. Ecce gratium | 02:54 |
| 6 | Carmina Burana: VI. Dance | 01:44 |
| 7 | Carmina Burana: VII. Floret silva | 03:44 |
| 8 | Carmina Burana: VIII. Chramer, gip die varwa mir | 03:24 |
| 9 | Carmina Burana: IX. Reie; Swaz hie gat umbe; Chume, chum, geselle min, Swaz hie gat umbe | 04:49 |
| 10 | Carmina Burana: X. Were diu werlt alle min | 00:56 |
| 11 | Carmina Burana: XI. Estuans interius | 02:17 |
| 12 | Carmina Burana: XII. Olim lacus colueram | 03:47 |
| 13 | Carmina Burana: XIII. Ego sum abbas | 01:28 |
| 14 | Carmina Burana: XIV. In taberna quando sumus | 03:11 |
| 15 | Carmina Burana: XV. Amor volat undique | 03:52 |
| 16 | Carmina Burana: XVI. Dies, nox et omnia | 02:22 |
| 17 | Carmina Burana: XVII. Stetit puella | 02:10 |
| 18 | Carmina Burana: XVIII. Circa mea pectora | 02:14 |
| 19 | Carmina Burana: XIX. Si puer cum puellula | 01:00 |
| 20 | Carmina Burana: XX. Veni, veni, venias | 01:02 |
